Philadelphia Inquirer reviewer David Patrick Stearns comments on the "well-prepared and handsomely produced" New York City opera version in 2011. Séance was the last of six films made by the production company that included The League of Gentlemen (1960) and Man in the Moon (1960). SÉANCE ON A WET AFTERNOON is a psychological thriller about a medium, Myra Foster, who convinces her weak-willed husband to kidnap the child of a wealthy couple, so she can use her abilities to locate the child and thus achieve fame. Jazzed up a little, modernized, the plot could have be played for black comedy, but here, directed by Bryan Forbes, it’s a grim march towards tragedy. Séance on a Wet Afternoon is a moody, solemn film. ... “Séance on a Wet Afternoon” is a novel of suspense. Séance on a Wet Afternoon is a 1964 British drama film directed by Bryan Forbes, based on the 1961 novel by Mark McShane, in which an unstable medium convinces her husband to kidnap a child so she can help the police solve the crime and achieve renown for her abilities. The movie makes that work, even if it results in a somewhat monotonous tone. November 10, 2015 Old Yorker Film review. I have just modified one external link on Séance on a Wet Afternoon. Reviews of Schwartz's Opera Séance on a Wet Afternoon. Kim Stanley received a well deserved Best Actress Oscar nomination in Séance on a Wet Afternoon for her performance as Myra Savage, a lonely, middle-aged, highly disturbed woman, who conspires with her weak and submissive husband (Richard Attenborough) into kidnapping a little girl. Séance on a Wet Afternoon is now available on DVD from Home Vision Entertainment in a new digital transfer (1.66:1) that has been enhanced for 16x9 televisions. Directed by Bryan Forbes. Read 23 reviews from the world's largest community for readers. Myra (left) and Mrs. Clayton (facing camera), from “Seance on a Wet Afternoon” (1964) Seance on a Wet Afternoon is really a character study of Myra herself, a performance by stage actor Kim Stanley that’s so intense she was nominated for an Academy Award that year [but lost out to Julie Andrews in Mary Poppins, an entirely different tonal experience]. Suggested retail price: $29.95. Read 23 reviews from the world's largest community for readers. Stars: Kim Stanley, Richard Attenborough Director: Bryan Forbes Audio: Dolby Digital Mono Video: Anamorphic Widescreen 1.66:1 Studio: Home Vision Entertainment Features: None Length: 115 Minutes Release Date: September 24, 2002 “Don’t be afraid. Find trailers, reviews, synopsis, awards and cast information for Seance on a Wet Afternoon (1964) - Bryan Forbes on AllMovie - Kim Stanley plays a crooked medium who has become… Séance on a Wet Afternoon would be notable if for no other reason than it contains a rare screen performance by the gifted Kim Stanley. Please take a moment to review my edit. Genres: Crime, British New Wave, Psychological Thriller, Drama. Some things it hurts to hate: your offspring’s new fiancé, a pricey meal, a freshly composed opera. It's as good as SEANCE ON A WET AFTERNOON but is also different enough that I recommend you also try watching it as well. Myra, una londinenca que es fa passar per mèdium, organitza un estratagema per guanyar la celebritat. In their eyes, there is a mixture of sadness and hope. Sadly, the print for Blu ray release shows no discernible difference from the previous DVD release I own, and the audio quality is variable. Directed by Bryan Forbes • 1964 • United Kingdom. A medium and her husband stage a kidnapping in order for her to … Released in 1964, Séance On A Wet Afternoon is a dark psychological thriller with subtle supernatural overtones, the last in a short series of British films from the early 1960s directed by Bryan Forbes and produced by Richard Attenborough. Bryan Forbes’s Séance on a Wet Afternoon (UK, 1964) starts with mystery-filled images of a séance; Kiyoshi Kurosawa’s Séance (Korei, Japan, 2000, produced by Kansai Television) begins with an academic debate on parapsychological phenomena between a professor and a student.Both films are inspired by Mark McShane’s novel Séance on a Wet Afternoon (1961). Stephen Schwartz, known primarily for his work in 1970s musical theater (Godspell and Pippin) and now represented on Broadway with the hugely popular Wicked, created an opera of the Bryan Forbes film.I guess it comes as no surprise that … I’d seen it two or three times before and remembered it as a film I very much liked. Kim Stanley's bravura performance was, quite rightly, Oscar-nominated. Clairvoyant Myra Savage and her husband kidnap a little g... Seance on a Wet Afternoon book. The location of the house at the corner of Burghley Road and Marryat Road in SW19 is well documented on other sites including IMDB. Seance on a Wet Afternoon. The story of a strange pair of kidnappers, it was made into a well-regarded film in 1964, and has also been adapted as an opera. lícula britànica de Bryan Forbes, estrenada el 1964. Bryan Forbes’ Séance on a Wet Afternoon is about a mentally unhinged woman who is so convinced she is a medium that she feels the need to construct an elaborate scheme to prove it to others, even though this scheme involves her faking the very powers of which she genuinely believes herself to be in possession. Reviews (0 reviews) Discussion Other Members Suggestions : Rating ... Séance On A Wet Afternoon : Séance On A Wet Afternoon (1964) Composer(s): John Barry Released in: 1964 Country: Great Britain Genre: Crime, Drama, Horror, Thriller, Foreign: Other Resources: Other information: SELECTED REVIEWS OF SEANCE OPERA. Past Reviews. Seance on a Wet Afternoon book. Rated the #28 best film of 1964, and #1642 in the greatest all-time movies (according to RYM users). My review on Bachtrack.com. The East Coast premiere of Séance on a Wet Afternoon was an eerie, roller coaster of a show that gripped me with the force of demon possession, scarcely … Regional Reviews: Los Angeles Séance on a Wet Afternoon. ... Séance on a Wet Afternoon is about Myra’s scheme to kidnap a little girl and, by telling the police where to find her, become a celebrity psychic. Loosely based on the 1961 Mark McShane novel Séance on a Wet Afternoon which was also made into a film in 1964, Kurosawa’s reworking of the material transposes the setting to Japan with some slight deviations from the source. Séance on a Wet Afternoon is a two-act contemporary opera with music and libretto by American composer Stephen Schwartz, whose original productions such as Godspell, Pippin, and Wicked are considered blockbusters within the annals of musical theater. (The previous two were The L-Shaped Room and Whistle Down The Wind.). The disc contains no special features. 2011. Inside, there are guests. FYI--since my original review, I have seen a Japanese remake, of sorts, called SEANCE. The quality of the films coming out of the UK during the 1960s was quite strong, and Séance on a Wet Afternoon is another great example to support the argument.It holds a similar kind of eeriness as forerunners like The Haunting and The Innocents because their methodologies are fairly analogous: horror wrought by the female lead’s disintegrating psyche. Séance on a Wet Afternoon. Séance on a Wet Afternoon: | | | Séance on a Wet Afternoon | | | | ... World Heritage Encyclopedia, the aggregation of the largest online encyclopedias available, and the … His first novel, The Straight and the Crooked, appeared that year, but it was his third effort, Séance on a Wet Afternoon, for which he is best known. With Kim Stanley, Richard Attenborough, Margaret Lacey, Marie Burke. A house, fading in grandeur, with its curtains drawn against the rain speckled windows. The premise is … New York City Opera production reviews, 2011. Starring: Kim Stanley, Richard Attenborough. An atmospheric film, SEANCE ON A WET AFTERNOON succeeds because of Bryan Forbes' excellent direction and the superb performances of both Kim Stanley (in … Synopsis. Reviews Seance on a Wet Afternoon Review A psychic, Myra, and her husband plan on kidnapping a rich kid and then going to the parents with Myra's psychic messages about her whereabouts. Review by Michael Jacobson. Seance On A Wet Afternoon (1964) - Last Minute Doubts Cryptic conversation, deranged medium Myra (Kim Stanley) with husband Billy (Richard Attenborough, who also produced) involving their dead son and a barely revealed scheme to enhance their circumstances, early in director Bryan Forbes' Seance On A Wet Afternoon, 1964. Don't get me wrong, Séance on a Wet Afternoon is most definitely an opera—with a lush score, supertitles, lots of vibrato, and sopranos going off to hit lyricless heights just because. It’s just a game…it’s just a game…” I made the following changes: While very similar, it diverges into the supernatural and ends much differently. Their features are grey, as if life has taken the stuffing from them. Forbes discussed their lack of funds - how in Seance on a Wet Afternoon the bulk of the finances went to Kim Stanley where he and Attenborough maybe got $5,000. SÉANCE ON A WET AFTERNOON. In looking for movie stills to help illustrate this post, I learned that Séance on a Wet Afternoon has been adapted yet again, this time as an opera. If you have any questions, or need the bot to ignore the links, or the page altogether, please visit this simple FaQ for additional information. Stephen Schwartz may have written the world's most accessible opera. Following a séance conducted by Myra Savage, falling rain blurs the camera's view on a wet afternoon in south London. For more information, check out the Home Vision Web site. Argument. 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