Events that are only discussed by the actors in the Ibsen play – such as the early friendship of Nora and Kristine, the romance and breakup of Kristine and Krogstad, the life-threatening illness of Torvald, and the death of Nora's father – are all fleshed out in full separate scenes at the start of the film. A Doll’s House, play in three acts by Henrik Ibsen, published in Norwegian as Et dukkehjem in 1879 and performed the same year. He proudly thinks of himself as the family's breadwinner and protector, but he remains unaware of the secret that Nora holds: she had saved him, when he had become seriously ill and very nearly destitute. As a play focused around the marriage between Nora and Torvald, A Doll's House can be seen as an exploration of love and marriage, or even, more profoundly, on whether there can be love in marriage. [13][14] Many film critics praised Fonda's work – Leonard Maltin cited it as the main reason to see the film (which he otherwise deemed only "moderately successful"). Wählen Sie eine Sprache für Ihren Einkauf. Publication date 2021-04-14 Usage Public Domain Mark 1.0 Topics librivox, audiobooks, LibriVox recording of A Doll's House by Henrik Ibsen. Wählen Sie die Kategorie aus, in der Sie suchen möchten. [17] Losey, for his part, grumbled that Fonda had "little sense of humor" and "was spending most of her time working on her political speeches, instead of learning her lines". Produced by . Ihre zuletzt angesehenen Artikel und besonderen Empfehlungen. [2][6] It had been shown at the 1973 New York Film Festival, and was screened at the 1973 Cannes Film Festival, but wasn't entered into the main competition. Geben Sie es weiter, tauschen Sie es ein, © 1998-2021, Amazon.com, Inc. oder Tochtergesellschaften, Lieferung verfolgen oder Bestellung anzeigen, Recycling (einschließlich Entsorgung von Elektro- & Elektronikaltgeräten). [9], Losey's film was one of two English-language versions of Ibsen's play released in 1973: the other version was directed by Patrick Garland and stars Claire Bloom and Anthony Hopkins. Hannibal Lecter, and Claire Bloom. A Doll’s House is one of the most important plays in all modern drama. It contains Nora's contract, complete with forged signature and surrendered without explanation. Nora Helmer enters her well-furnished living room—the setting of the entire play—carrying several packages. [3], The one-room setting of Ibsen's original is a deliberate device suggestive of Nora's isolation and her imprisonment within her marriage. Written by the Norwegian playwright Henrik Ibsen in 1879, the play is well-known for its shocking ending, which attracted both criticism and admiration from audiences when it premiered. Even within the house, the camera moves from room to room, revealing not just the physical comforts of their home but also its confining nature – its "deadly insularity". At the back, a door to the right leads to the entrance-hall, another to the left leads to Helmer's study. The Helmers' children were portrayed by Morten Floor (Bob), Tone Floor (Emmy), and Frode Lien (Ivar). Near the window are a round table, arm-chairs and a small sofa. [6], Filming took place in the Norwegian town of Røros, where local residents served as extras for the exterior scenes. She seems to be powerless and confines herself through patriarchal expectations, which signify a woman’s social role at that time, that is, of a wife and mother. [10] The coincidental competition for a relatively small audience meant commercial difficulties for both films. Both women are very unhappy and willing to disobey society’s expectations and rules, and therefore suffer the consequences of their actions. Directed by Joseph Losey • 1973 • United Kingdom Starring Jane Fonda, Edward Fox, Trevor Howard. Casa de Muñecas, 1943 This Argentine version was directed by Ernesto Arancibia. In the United States, the film was broadcast nationally on the ABC television network. Set in nineteenth century Norway, Ibsen's A Doll's House focuses on the married life of banker Torvald Helmer and his wife Nora. In the middle of the left-hand wall is a door, and beyond it a window. "[5], Other critics found Losey's bold changes to be off-putting, even blasphemous. "[15] More bluntly, Rex Reed wrote that Fonda's "star personality" undercut her performance in an otherwise admirable production: "One never believes her as the macaroon-munching birdbrain or the charming coquette or the toy wife. Torvald holds the incriminating evidence in his hand, utterly relieved, and begins to make weak apologies for his outburst. Although he professes to love her, Torvald constantly chides Nora for what he calls her careless and childlike nature; he often calls her his "doll". A True Story: A Doll’s House is based on the life of Ibsen’s family friend Laura Kieler, whose actions inspired the story of Nora’s secret debt. Torvald Helmer, Nora’s husband, comes out of his study when he hears her arrive. Wir verwenden Cookies und ähnliche Tools, um Ihr Einkaufserlebnis zu verbessern, um unsere Dienste anzubieten, um zu verstehen, wie die Kunden unsere Dienste nutzen, damit wir Verbesserungen vornehmen können, und um Werbung anzuzeigen, einschließlich interessenbezogener Werbung. Jane Fonda’s leading role in the 1970s women’s movement made her a perfect choice to portray the heroine of Henrik Ibsen’s classic feminist play in this adaptation directed by Joseph Losey. In the right-hand wall, at the farther end, another door; and on the same side, nearer the footlights, a stove, two easy [9], The choice of Fonda for the principal role has always elicited some commentary on her casting and performance. At the back, a door to the right leads to the entrance-hall, another to the left leads to Helmer's study. The Helmers live in an unequal partnership, dominated by Torvald. The play raises universal issues and questions that are applicable to societies worldwide. [SCENE.--A room furnished comfortably and tastefully, but not extravagantly. It stars Jane Fonda in the role of Nora Helmer and David Warner as her domineering husband, Torvald. At the beginning of the play, Nora and Torvald appear to be very happily married, even to themselves. The director, who had a history of stormy relationships with his leading ladies, earned the ire of both Fonda and Delphine Seyrig before the film was even released. But in the meantime Nora has had a transformational realization about her love and marriage. [9], Some critics have suggested that the film suffers under the weight of Fonda's public image. The story includes important subplots regarding the unexpected tenderness of Krogstad (toward Nora's friend Kristine, his old flame) and the quixotic love interest (toward Nora) of the elderly Dr. Rank. A Doll’s House traces the awakening of Nora Helmer from her previously unexamined life of domestic, wifely comfort. 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