This is the work of the Swiss photographer and designer Herbert Matter, who after a short career in New York had moved to California in 1943 with his wife, the American painter and art critic Mercedes Carles. His design work often favored a heavy use of … Herbert Matter (1907–1984), Cover artwork for Arts & Architecture, une 1945. Herbert Matter was born in 1907 in Engelberg, a Swiss mountain village, where exposure to the treasure of one of the two finest medieval graphic art collections in Europe was unavoidable. Such techniques often characterize both pre-war European Modernism and the post-war expression of that movement in the United States. © Herbert Matter Estate. Available for sale from Cahiers d'Art, Herbert Matter, Hanging Mobile, 1936 (1936), Gelatin Silver Print, 53.5 × 48.5 cm Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. Matter studied with Fernand Léger and Amédée Ozenfant at the Académie Moderne in Paris in the late 1920s before returning to Switzerland to design a series of Swiss travel posters which illustrate his signature photomontage technique. The designer's innovative and experimental work helped shape the vocabulary of 20th-century graphic design. Herbert Matter is best known for his international contributions in photography, photomontage and graphic design. Beginning with the first Case Study cover of January 1945 and ending only some time after the couple had returned to New York in 1946, nearly all the magazine’s covers were designed by Herbert Matter, often (as seems evident in this case) adjusted in collaboration with the publication’s art director, Robin Park. Reporting from: https://exhibits.stanford.edu/herbert-matter/about/herbert-matter, Head of Special Collections & Frances and Charles Field Curator of Special Collections, Herbert Matter: Modernist Photography and Graphic Design - Spotlight at Stanford. This is the work of the Swiss photographer and designer Herbert Matter, who after a short career in New York had moved … His advanced techniques became part of the new visual narrative that began in the 1930s, which have since evolved into familiar design idioms such as overprinting -- where an image extends beyond the frame, and the bold use of typography, color, size and placement. Charles Eames at that time served as the magazine’s principal associate editor, while Ray was designing most of the covers and graphics. Photomontage, 335 × 250 mm. In the final cover an ‘earth formation’ is added to the left-hand margin, perhaps to suggest generic patterns of textile design which – with Dorothy Liebes and others – was another fundamental subject in the magazine’s repertoire and in its consideration of furnishing for the case studies. This was an approach Matter had developed in New York in his covers for Time Inc’s short-lived progressive architecture magazine Plus from 1938 to ’39, and used again in his advertisements for Container Corporation of America, where it serves to catch and hold the eye amid the dense surrounding pages of popular illustrated monthlies. “Herbert Matter is a magician. As the Eameses acknowledge in publishing their initial proposals (with graphics by the Matters) in the December issue of 1945, the houses were at this stage ‘simply an idea of dwelling’ – in which the Eames studio was conceived as a single-storey bridge facing the ocean, rather than the two floors in line with the hill and at right angles to the vista, which emerged as the project eventually developed as ‘Case Study House for 1949’ – and which is now such a familiar icon in the history of the modern movement. See available photographs, prints and multiples, and works on paper for sale and learn about the artist. To satisfy the needs of industry, that’s what you have to be. —Herbert Matter. During this time Matter became a tenured professor at Yale and helped to shape the university’s photography and graphic design program (1952–1976). His advanced techniques became part of the new visual narrative that began in the 1930s, which have since evolved into familiar design idioms such as overprinting -- where an image extends beyond the frame, and the bold use of typography, color, size and placement. By January 1945, when Entenza launched the magazine’s Case Study House programme, Matter had already contributed at least two covers, run a section of his own photographic work and, most notably, designed the extraordinary diagrams, visuals and layout for the special issue of 1943, in which Buckminster Fuller and the Eameses laid out their ambitious postwar program for industrialised and prefabricated mass housing. drawing histories drawing techniques & materials. Herbert Matter Biography. It has that timeless, unerring quality one recognizes instinctively.” The designer's innovative and experimental work helped shape the vocabulary of 20th-century graphic design. It is fascinating that the ruled lines of Matter’s cover proposal nearly five years before are in fact truer to the idea as it was eventually realised than to the concept as it then stood, predicting the great grid of retaining wall in the lines of the high structure to the right, and the grounded framework of steel supporting the sense of an open interior, which we have come to recognise as one of the fundamental reference points for architecture in the postwar world… and after. His innovative, iconic and experimental work helped set the trend for twentieth century graphic design. These design elements often characterize both pre-war European Modernism and the post-war expression of that movement in the United States. View Herbert Matter’s 305 artworks on artnet. DMC 2914.2. Herbert Matter (1907–1984), Cover artwork for Arts & Architecture, June 1945. All content including images, text documents, audio, video, and interactive media published on the Drawing Matter website is for non-commercial, educational, journalistic and/or personal use only. Both were friends and associates of Fernand Leger, with whom Herbert had been a student and whom he had assisted in mural commissions; and Mercedes had studied, alongside Ray Eames, under Hans Hofmann. Official site of Herbert Matter, a Swiss-born American photographer and graphic designer whose innovative work helped shape the vocabulary of 20th century art. Matter was a master of using photomontage, color and typography in an expressive manner, transcending the boundaries between art and design. While this graphic strategy followed precedents in the European avant-garde, mass-market publishers (who began acquiring design monthlies for the American newsstand trade in the mid-thirties) needed a particularly bold, economical and open expression of it in order to catch the eye from moving traffic or across a crowded rail terminal. The Smithsonian American Art Museum and its Renwick Gallery are now open, with timed-entry passes required for the main building. © Stanford University, Stanford, California 94305. Print, 324 × 255 mm. Happel Cornelisse Verhoeven Architecten on Ernest Born. The extensive group of photographs of Giacometti’s work represents the largest series of work in the collection and includes different layouts, and iterations of photographs related to Matter’s book Alberto Giacometti, published posthumously by Harry N. Abrams, Inc., in 1987. Herbert Matter was a celebrated American based graphic designer and photographer of Swiss origin. 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